Tag Archives: David Guetta

David Guetta’s 5 Best Collabs with American Artists

25 Jun

Calvin Harris and Avicii can STFU – David Guetta was the original Euro-transplant pioneering EDM in American pop music before you even realized you’d heard him before.

Remember 2009’s little hit “I Gotta Feeling” by the Black Eyed Peas? The song that holds the record for selling the most digital copies of any song ever? Yeah, that was produced by him.

And who tapped into the Aussie vocal talent that is Sia long before Flo Rida ever called her up to sing a hook? Right. Also Guetta.

And long before the producer ventured into the bizarro landscape of American Top 40 (which, compared to international charts, was severely lacking in dance music until about two years ago), he was making a name for himself in Europe with over 40 charting singles, including 18 top ten hits in his native France.

Now how does that make Avicii, who hasn’t even released his debut album yet, look? Sigh.

Guetta was the first to master the art of the American pop collab, which successfully broke him into the U.S. market and paved the way for all the Calvin Harris-es to come.

Here my top 5 Guetta collaborations with American artists. Let’s get nostalgic for 2010, y’all.

5. “When Love Takes Over,” featuring Kelly Rowland

4. “Missing You,” featuring Novel (son of Motown’s Mickey Stevenson)

3. “Where Them Girls At,” featuring Nicki Minaj and Flo Rida

2. “Sexy Bitch (Chick),” featuring Akon

1. “Who’s that Bitch (Chick),” featuring Rihanna


“Stay,” featuring gospel singer Chris Willis

Also, can we talk about how solid Guetta is at holding his own against 20-something singers in music videos, despite being a married, 45-year-old father of two? Yeah.


Why Commenting on the New Daft Punk is Best Left to the Adults

14 May

I remember being a freak as a teenager for listening to electronic music. Yet, the same kids who didn’t understand it then are the ones going to what we call “raves” now. In the era of David Guetta, Calvin Harris, Chromeo, it’s easy to call this a “comeback” of these industry legends and way-pavers, but it’s more about perspective than anything else and too few of the people chiming in on Random Access Memories actually have it.

Daft Punk

I’m not here to say I’m an expert on the genre, because I, too, am just a 21-year-old. I didn’t live through the birth of disco or ever see Kraftwerk live. I never got to watch the charts get taken over by new wave hits as electro and rock converged into the mainstream the 80s.

I am part of the generation that’s embracing whatever form the genre has taken in recent years with the rise of dubstep and electro-indie music. We only know Daft Punk because people tell us we should. We heard a cool hook on a Kanye West song once, that maybe we thought we recognized from a commercial or something. We went and saw Tron: Legacy because Pitchfork said the soundtrack would be something not to miss.


Now that Daft Punk is going all-in and finally releasing a full-length, we’re glomming on to that, too, in an effort to embrace what’s supposed to be cool at that moment. The hype surrounding this couldn’t be bigger.

While I am part of this generation, I like to think I have a little more perspective on it than they, with a few extra years of electronic music fandom under my belt that goes way further back than the great Rise of David Guetta in summer 2010 – what kind of kick-started the latest Top 40 electro trend (which, ironically, has even come to include Daft Punk’s latest single, “Get Lucky.”) But still, I won’t pretend I lived through the 70’s ’til now, let alone Daft Punk’s debut to their overdue comeback.

We’re a generation that talks big, backed by the ability to fact-check at our fingertips. We can go on Spotify and listen to Daft Punk’s entire discography in an afternoon. There. Up to speed. Right?

Not quite.

I’m happy that the band is finding a new audience in a younger generation. It guarantees them some semblance of staying-power. So Tweet, Facebook, Tumbl all you want – but please, kids, from one peer to another, let’s not put on this facade of having some high-horse perspective that we invented after reading the band’s Wikipedia page.

It almost strikes me as offensive the way I’m seeing my friends treat this as a viral phenom. It’s not about who listened to the leak first or how many “likes” you can get on the megaupload link you posted on Facebook. Take a second to slow down and try to genuinely understand why it is that so much value is being placed in this album.

And while you’re listening, leave the commenting to the critics, to the musicians, to your parents.

And if your first brush with the genre came two years ago at EDC, for the love of God, just keep your mouth shut.